Tenebroso, 2021
O trabalho Tenebroso, realizado em parceria entre Cleverson L. Salvaro e Frederico Filippi foi pensado a partir da relação entre forma e existência a partir de janelas retiradas da reforma do espaço onde está exposto, que era uma antiga fábrica têxtil. As janelas, pintadas de preto, isolavam a atividade econômica no interior, apartadas do exterior.
Utilizando estes elementos como ponto de partida, as janelas compõe uma forma cujo interior é acessado pela transparência de duas das janelas cuja tinta foi susbtituída por insufilm. No interior, uma colônia de 2 mil larvas de tenébrios se alimentam de uma réplica da forma exterior composta de isopor. O trabalho se apoia na relação de transparência e opacidade, trabalho, tempo e consumo, materialidade e decadência.
Vidro, alumínio, insufilm, tinta esmalte preta, compensado, larvas de tenébrios e isopor 123 x 166 x 163 cm
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Tenebrous, 2021
Tenebrous (Tenebroso, in portuguese), carried out in partnership between Cleverson L. Salvaro and Frederico Filippi, was designed from the relationship between form and existence, from windows removed from the renovation of the space where it is exposed, which was an old textile factory. The windows, painted black, sheltered economic activity inside, separated from the outside.
Using these elements as a starting point, the windows compose a form whose interior is accessed by the transparency of two of the windows whose paint has been replaced by insufilm. Inside, a colony of 2,000 mealworm larvae feed on a replica of the outer form made up of styrofoam. The work is based on the relationship of transparency and opacity, work, time and consumption, materiality and decay.
Tenebrous (Tenebroso, in portuguese), carried out in partnership between Cleverson L. Salvaro and Frederico Filippi, was designed from the relationship between form and existence, from windows removed from the renovation of the space where it is exposed, which was an old textile factory. The windows, painted black, sheltered economic activity inside, separated from the outside.
Using these elements as a starting point, the windows compose a form whose interior is accessed by the transparency of two of the windows whose paint has been replaced by insufilm. Inside, a colony of 2,000 mealworm larvae feed on a replica of the outer form made up of styrofoam. The work is based on the relationship of transparency and opacity, work, time and consumption, materiality and decay.